Sthapotik tops Bangladesh mausoleum with "chandelier" of skylights

A sequence of cylindrical skylights and brick turrets function on this Bangladesh mausoleum, which structure studio Sthapotik designed as a reference to conventional Islamic buildings.

Named the Shah Muhammad Mohshin Khan Mausoleum, the turreted brick quantity was designed as a Dargah, or shrine, to accommodate the graves of an area non secular chief’s household.

Sthapotik has created a mausoleum in Bangladesh

“Which means ‘portal’ in Persian, a Dargah is a house for the grave of a revered non secular determine,” stated Sthapotik.

“Metaphorically, the Dargah is the house for the earthly physique,” the studio continued.

Turreted brick building by Sthapotik
It options brick turrets

Drawing upon the picture of the chandelier, Dhaka-based studio Sthapotik topped the mausoleum with a ceiling of cylindrical skylights that stretch down into the house.

“The core idea was crafting the ‘chandelier of paradise’, which blesses the souls with the sunshine of paradise for his or her noble work on earth,” principal architect Sharif Uddin Ahammed informed Dezeen.

Brick entrance to the Shah Muhammad Mohshin Khan Mausoleum in Bangladesh by Sthapotik
The design references conventional Islamic buildings

Sq.-shaped in plan, the constructing is shaped from 4 partitions every comprising six cylindrical turrets with perforations in direction of the highest for air flow.

The turreted partitions are comprised of purple bricks that had been sourced from a close-by brick discipline, paying homage to the normal structure of the area.

Cultural building lit by cylindrical skylights
A marble plinth sits on the centre of the house

“We had been extremely impressed by the square-plan mosques of Bengal’s Sultani Interval and tried to remodel the essence of that interval in a recent approach which is very rooted in Bengali mosque structure,” stated Ahammed.

Approached from a path that results in the nook of the constructing, the mausoleum is constructed on high of a raised brick plinth to keep away from flooding. It’s accessed by a sequence of steps, with a ramp offering extra entry to 1 aspect of the positioning.

Cylindrical concrete skylights
It’s topped with “chandelier” of skylights

4 doorways comprised of domestically sourced iron bars and sheets provide entry factors on every face of the constructing and have patterns knowledgeable by Islamic motifs.

“The sample on the doorways is impressed by Islamic motifs and design,” stated Ahammed. “The star on the gate represents 5 relations of the prophet the place Allah stays within the center, whereas the cuttings within the sample enable for air flow and visibility when the door is closed.”

Inside, three graves for the proprietor’s household are raised on a square-shaped marble platform on the centre of the room, with a fourth house left empty for the proprietor of the mission.

“Marble is taken into account a valuable materials and is utilized in lots of well-known Islamic structure on this subcontinent,” stated Ahammed. “White marble was chosen as a result of the color white is the image of peace and its reflective high quality lights up the entire inside.”

Entrance to Bangladesh mausoleum by Sthapotik
The doorways are patterned with Islamic motifs

Designed to imitate multi-domed mosques, a ceiling that includes a grid of thirty-six round openings lets mild into the inside.

Sixteen of the openings on the centre of the ceiling have been stretched down into the house to kind a chandelier-informed association of skylights over the central plinth.

View of Bangladesh mausoleum by Sthapotik from a nearby river
The mausoleum is constructed on high of a raised brick plinth to stop flooding

“The round punches and hanging cylindrical droppings from the waffle roof all collectively seem in a dynamic chandelier, letting pure mild seep into the Dargah and create a pure sample on the ground,” stated the studio.

Different mausoleums featured on Dezeen embody an Adolf Loos-designed tomb in-built a historic London cemetery and a marble set up that was on show at Milan Design Week in 2017.

The pictures is by Asif Salman.