Brazil "fills whole pavilion with earth" at Venice Structure Biennale

The Brazilian pavilion, which is unveiled completely on Dezeen, has been stuffed with earth for this 12 months’s Venice Structure Biennale.

With its contribution to this 12 months’s structure biennale, the curators of Brazil’s pavilion – Gabriela de Matos and Paulo Taveres – select to deal with earth and named its exhibition Terra.

They hope to speak how Brazil’s land has formed understandings of heritage and identification.

The Brazil pavilion has been stuffed with earth

“The importance of land and earth is deeply rooted within the conception and narratives of the nationwide formation and illustration of Brazil,” De Matos and Taveres advised Dezeen. “It encompasses the idealised and racialised imaginative and prescient of ‘tropical nature’ that has formed the portrayal of Brazil’s nationwide identification.”

“On the identical time, the idea of earth is of nice significance within the cosmologies, philosophies, and narratives of the Indigenous and Afro-Brazilian populations, which kind a major a part of Brazil’s cultural matrix,” the curators continued.

“On this context, earth represents an ancestral connection that goes past the borders of Brazil, main us to discover cultural geographies and different views on belonging, cultivation, rights and reparation.”

Terra at the Venice Architecture Biennale
Flooring within the pavilion had been lined in soil

All through the pavilion the flooring have been lined with earth, whereas a sequence of plinths had been constituted of rammed earth to show the reveals.

The earth was designed to distinction with the modernist pavilion and make a connection to the architectural traditions of Brazil’s Indigenous peoples.

Rammed-earth pedestals
Show pedestals had been constituted of rammed-earth

“The complete pavilion was stuffed with earth, offering guests with a direct connection to the traditions present in Indigenous territories, Quilombola dwellings, and candomblé ceremonies,” stated De Matos and Taveres.

“By immersing the general public on this setting, we hope to foster a deeper appreciation for the knowledge embedded in these cultural practices and instil a higher understanding of the intrinsic worth of land and earth in shaping our collective future.”

Brazil pavilion at the Venice Architecture Biennale
The reveals showcase the practices of the nation’s Indigenous communities

Inside the pavilion, De Matos and Taveres introduced a sequence of reveals inside its Locations of Origin, Archaeologies of the Future gallery that goal to showcase the practices of the nation’s Indigenous communities of land administration and manufacturing.

“The tribes in Indigenous and Quilombola lands provide useful classes that may be discovered and utilized in numerous methods,” stated the curators.

“They function a strong instance, pointing in the direction of a future the place ‘de-colonisation’ and ‘decarbonisation’ go hand in hand, notably within the face of local weather change,” they continued.

“The practices, applied sciences, and customs employed by these communities in land administration and manufacturing, together with their distinctive approaches to structure, are deeply rooted within the earth.”

The Brazilian pavilion at the Venice Architecture Biennale
A second gallery goals to reassess Brasília

The second gallery is known as De-colonizing the Canon. Inside the area, the curators created a sequence of reveals that goal to reassess the method by which the nation’s capital, Brasília, was created.

“We query the prevailing notion that Brasília was inbuilt an remoted, uninhabited space, neglecting the truth that Indigenous and Quilombola communities had been forcibly displaced throughout the colonial period and additional marginalized with the appearance of the modernist metropolis,” stated the curators.

“Our goal is to current a extra intricate and various portrayal of the territory, structure, and heritage that formed Brazil’s nationwide formation and modernity,” they continued. “By a deliberate deal with uncared for narratives throughout the architectural canon, we search to problem and increase upon typical views.”

Brasília film
It incorporates a movie screening

De Matos and Taveres hope that guests to the pavilion will acquire an understanding of each Brazil’s previous and future and the necessity to lean from “ancestral knowledge”.

“By embracing the idea of earth as each a supply of reminiscence and a catalyst for envisioning potential futures, we goal to seize the essence of Brazil’s previous and current,” they stated.

“Inside the exhibition, we emphasise the importance of embracing the information and practices of Indigenous and Afro-Brazilian communities, whose lands have been scientifically confirmed to be the best-preserved territories in Brazil,” they continued.

“These communities proceed to take care of a profound reference to the earth, rooted of their practices, applied sciences, and customs. By studying from their ancestral knowledge, we will reframe the current and future, acknowledging the worth of their heritage and incorporating it into our architectural discourse.”

The Brazil pavilion is one among a number of that might be opened completely on Dezeen in the present day. Different pavilions that had been unveiled on Dezeen embrace the Danish pavilion, which focuses on rising Sea ranges, and this 12 months’s Finnish pavilion that “declares the demise of the flushing rest room”.

The images is by Rafa Jacinto. Courtesy Fundação Bienal de São Paulo.

Dezeen is stay reporting from the Venice Structure Biennale, which takes place from 20 Could to 26 November 2023. See Dezeen Occasions Information for all the most recent data you should know to attend the occasion, in addition to an inventory of different structure and design occasions going down around the globe.